The Thriller Books Journal have just interviewed me about my new crime thriller Chasing the Game.
During the interview I also talk about the ebooks v traditional books debate as well as how the genre of crime fiction is often the victim of unhelpful – and inaccurate – snobbery from the ‘literary elite’ within the publishing trade.
Thriller Books Journal is a comprehensive and vibrant website dedicated to crime and thriller novels, featuring a wealth of reviews, interviews and updates on new releases. The site is run by Italian author and avid reader Giuseppe Pastore.
For more details about Chasing the Game and the real-life story that sparked the tale, please click here.
This week I was interviewed by ‘Crime Thriller Girl’ about my newly-released debut novel, Chasing the Game, and my writing style.
Crime Thriller Girl leads a double life. By day she’s a corporate suit, but by night (and early morning) she’s an aspiring author, avid reader, and book reviewer of all things crime thriller. She’s also working on an exciting debut novel, which we’ll no doubt hear more about soon.
Her popular blog provides crime fiction fans with an abundance of reviews, interviews and latest news, and a link to her interview of me about Chasing the Game can be found here.
Here is a transcript of the interview. . .
Today I’m delighted to welcome Paul Gadsby to the CTG blog to talk about his new book – Chasing the Game. So, let’s get to it …
Chasing the Game is out now, and gathering rave reviews. Can you tell us a bit about it?
It’s a crime thriller depicting one of the most fascinating real-life crimes in British history – the theft of the Jules Rimet Trophy in 1966. Three months before the football World Cup tournament was due to begin, the trophy, on display in Westminster Central Hall, was stolen in an audacious daylight raid with the back doors of the building forced open. No one actually saw the trophy being taken but a ransom demand was made a few days later to the Football Association (FA), who were desperate to save face and reclaim the trophy, and a rendezvous organised where the trophy would be exchanged for cash. But the exchange never happened, one man was arrested for demanding the ransom but was never connected to the actual theft, so the identity of the thieves remains a mystery. Bizarrely, the trophy was discovered under a bush in a suburban street in Norwood a week after the theft by a dog named Pickles, who subsequently became a national hero.
I wanted Chasing the Game to be very much a fictional novel before anything else (not a documentary-style review of the crime etc), so the make-up of the gang of thieves and their particular characters and motivations were all driven by my imagination and I had a blank canvas to work on there. I used elements of the real-life tale (the ransom demand, the exchange set-up) and created extra conflict by having my FA chairman as a steely character who is determined to recover from the global humiliation the theft caused him and his organisation, and hell-bent on making the criminals pay. I had a theory early on about how I believed the trophy ended up under that bush, and basically worked back from there to create a gripping story.
In Chasing the Game, a real-life event – the theft of the Jules Rimet Trophy (the football World Cup) in London in March 1966 – is integral to the story. What was it about this event that sparked your idea for the novel?
I was drawn in by the fact that the crime has so many unanswered questions to it. The actual theft appears to have been carried out with a fair degree of good planning and professional expertise, so it seems a group of people did it rather than someone alone snatching an opportunity. But then the trophy – their only asset in getting something out of their efforts – ends up under a hedge a week later. Something must have gone dramatically wrong between that group of people during those seven days, as the pressure mounted with the case attracting international publicity.
I’ve always been fascinated by the internal structure of organised criminal set-ups and the personality clashes that rise to the surface. I’d been toying with a theme for a crime novel about leadership – about how some people have the natural skillset to be an effective operations man in a number two role but not necessarily the abilities to handle the wider scale responsibilities that come with being number one – and thought it would be good fun to drop this theme into the midst of a dramatic story such as the 1966 theft.
How did you go about researching the time period and the real life events?
I’ve always been into 1960s-set gangster stuff such as the Krays and the Great Train Robbery, so I read a lot of books surrounding those characters and looked into the pressures they faced in their lives at that time; what kind of lifestyles they were living and what they were aspiring to. I also watched a number of television documentaries about everyday life in Britain in the 1960s (thank you BBC4 et al) because I was determined to make that period a character of its own in the book. I love the music of that era but have always felt the way the 1960s is often portrayed to people like me who were born after then (Swinging Sixties, everyone flocking to a vibrant Carnaby Street to spend a fortune on the latest fashions etc) is a little skewed from reality. I wanted people consumed with the grind of their jobs, their money problems, their marital problems, their parenting problems and so on – characters burdened by the harsh challenges that life always throws into people’s laps.
That’s where the ransom demand in Chasing the Game proved really handy as a motivation driver within the narrative. I deliberately placed my ‘firm’ of criminals in west London, a few miles away from the central Soho scene they ultimately want to get to and grab a stake in – and the ransom cash is their leg-up to this world, their ticket to a brighter future. The trophy theft is also a chance for my ageing, old-school FA chairman to hit back against the thieves he sees as a stark representation of an increasingly insurgent society, and leaves him questioning his place in the world.
Could you tell us a little about your writing process, do you dive right in, or plan the story out first?
Chasing the Game is my first novel to be published but I’d written a few before that and with each one the process was slightly different. With this one I had the end of the story in place first, and worked back from there, carefully mapping out the characters and the various conflicts they would face, then drawing up a detailed chapter breakdown before getting into the actual writing. With other books I delved into the writing a lot quicker – happy with the overall concept and where things would finish, I went for it, adopting the ‘car headlights in the dark’ approach (writing away knowing what is immediately in front of you as well as the end destination, but never seeing what is a little further down the road). This approach allows the detail of each chapter to develop more organically and is an enjoyable way to write, but is probably more suited to character-driven work rather than plot-driven material. Either method (and many more besides) is fine and can be successful as far as I’m concerned, as long as the writer has a burning passion to explore the themes they want to unravel, and has created mesmerising characters who have plenty at stake within a tension-riddled story.
Who are your favourite crime writers – which books and authors have inspired you?
I have tended to prefer standalone books rather than mass-volume serials; I love it where the writer has the freedom to take his main character down any dark alley and the reader really doesn’t know how bad things will get. With the serials, we always know the main character is going to be fine and any injuries sustained will not be too serious because they’ll be back in another adventure next summer. That said, although I’m no great fan of those formats, there have been some tremendous writers who have gone down that path and deserve every credit – Ian Fleming for one, while Ian Rankin and Mark Billingham are delightful writers and I’ve enjoyed many of their books. Ray Banks’ mini-series following PI Cal Innes was fantastic and wrapped up with great humility, while David Peace’s Red Riding Quartet inspired me to explore mixing fact with fiction.
I love noir classics as well as slick contemporary thrillers. Elmore Leonard’s ear for dialogue is, in my opinion, unmatched. James Crumley is a big hero of mine as are the likes of Ken Bruen, James Sallis, Patricia Highsmith, Jake Arnott, Graham Greene, Jim Thompson, Adrian McKinty and James Ellroy. Eddie Bunker’s No Beast So Fierce is a glorious standalone book and one of my all-time favourites, as is The Ice Harvest by Scott Phillips.
And lastly, what does the rest of 2014 have in store for you?
I have written the first draft of another novel, a tale about a recently-retired boxer who is forced into a life of crime by his former manager, and look forward to editing and polishing that soon. But in the meantime I’m enjoying promoting Chasing the Game – reviews from crime fiction sites have been fantastic so far, while I’ve been asked to speak about the book at this summer’s Festival of Football Ideas in Bristol, a literary-music-art-themed event, which I’m really looking forward to.
A huge thank you to Paul for allowing us to grill him![Top]
I was this week’s author under the spotlight on Morgen Bailey’s all-embracing writing website.
Every week Morgen puts a different author under the microscope, and this time she asked me about my new book Chasing the Game, my writing career, and my view on all things literature.
I spoke about many issues including the self-publishing v traditional publishing debate, as well as the way crime fiction is often stigmatised and looked down upon within the industry by the so-called ‘literary elite’.
Morgen’s extensive website is a huge resource for writers, with a wealth of information and advice. As well as author spotlights and interviews, the site carries guest blogs, reviews, podcasts, competitions, tips, writing groups, writing exercises, exclusive flash & short fiction and poetry.[Top]
One of Britain’s biggest crime fiction websites, Crime Fiction Lover, has followed in the footsteps of other leading media sources by awarding my debut novel Chasing the Game with an excellent review.
Led by a team of expert contributors and critics within the genre, Crime Fiction Lover is one of the most firmly established and well-respected websites around, covering news, reviews and features across a wide range of crime from atmospheric noir and thriller mysteries to hardboiled detectives and police procedurals.
Reviewer David Prestidge read Chasing the Game, my fictional depiction of the real-life theft of the World Cup trophy in London in 1966, and the full review can be found here.
Amongst his comments, David wrote that the story provides ‘a mixture of criminal incompetence, jealousy and black comedy, which presents itself as a plausible account of one of Britain’s greatest unsolved mysteries.’
He added: ‘This is a London where the smart boys smoke Dunhills because the slimline pack doesn’t spoil the cut of their suit jackets, a Mark II Ford Cortina could just about take a man’s breath away, and Michael Caine was doing something similar to young women with his screen portrayal of the amoral Alfie.
‘I thoroughly enjoyed this book. The prose is unpretentious, brisk, and will move the reader through the 200-odd pages with minimal effort. Gadsby has taken a real-life event that remains a mystery to this day, and provided a perfectly plausible, well-timed and entertaining fictional account.’
This write-up of Chasing the Game comes after further glowing reviews greeted the book’s release, not least from the highly-revered Crime Time website as well as critically acclaimed author Guy Portman and blogger ‘Book Addict Shaun’.
So far on Amazon, the book has attracted eight reviews; seven of them 5 star and one 4 star.
To read more about Chasing the Game and the true crime that influenced its narrative, please click here.[Top]