My debut novel Chasing the Game has received a glowing review from – among others – the highly-revered Crime Time website.
Just days after its release, the book was reviewed by Crime Time contributor Brian Greene and the full review can be read by clicking here.
Amongst his comments, Brian wrote: ‘There’s much to like about this, Gadsby’s first novel. The characters are believable, the storyline is compelling, and Gadsby excels at balancing the various subplots.
‘As you read along you’re just as intrigued to find out what will become of Blake’s personal life as you are to see what will go down with the firm and with the consequences of the trophy heist. The author never makes the mistake (too often seen in recently-written edgy crime novels) of toiling at making his characters come off as hard – he just shows them as they are and places them in interesting situations, and that’s enough to make you care.’
Crime Time previously ran as a popular magazine, running for 54 issues before reverting to a pure online source of crime news, features and reviews in 2008. Edited by Barry Forshaw, widely regarded as the UK’s leading expert on crime fiction having written many books on the subject, Crime Time is hugely popular and known for reviewing the best crime fiction in the UK and around the world.
Esteemed novelist James Sallis once said about Crime Time: ‘This is what the rest of the magazines want to be when they grow up.’
This review comes hot on the heels of the book’s hugely positive review by critically acclaimed author Guy Portman, which can be read in full here.
Amongst Guy’s comments, he wrote: ‘The story skilfully merges fiction and the real life events surrounding the actual theft of the Jules Rimet Trophy in 1966. This is a fast paced mystery with an atmospheric setting that succeeds in depositing the reader into the vibrant, rapidly changing London of the 1960s.
‘The reader is able to identify with protagonist, Dale, despite his criminality, due to his sympathetic nature and a problematic personal life that entails a declining relationship with wife Sheryl, a runaway teenage son, and a father in prison.
‘Chasing The Game is compelling, original and eminently readable, with an unpredictable plot. The book will appeal to all mystery and crime aficionados.’
Chasing the Game was also highly praised on the ‘Book Addict Shaun’ blog, which can be read in full here.
Amongst Shaun’s comments, he wrote: ‘The setting of 1960s London was felt throughout the book. The city was definitely brought to life here. And the book had a strong cast of believable characters. Yes it’s a book partly about football but you don’t need to be a massive football fan to enjoy the book. It’s also about friendships, relationships and internal conflicts within a firm and we all know how the real life ones usually turn out so the fictionalised one here was very enjoyable.
‘The writing in the book is incredibly strong too. It was also a very gripping read which once your start you won’t want to put it down. I’ve already had my dad asking me if I’ve read it yet as he wants to read it too. Overall a very enjoyable book, definitely something a bit different to what’s out there at the minute and a book I highly recommend. Will definitely be keeping an eye out for more from this author.’
I was interviewed by ‘Crime Thriller Fella’ this week about my new book Chasing the Game and my writing regime in general.
A transcript of the interview can also be found below.
Crime Thriller Fella writes screenplays and novels, and reviews crime movies, TV shows and books for his blog, as well as providing interviews and latest news.
Here is the interview transcript. . .
We love writers with synchronicity. Paul Gadsby’s novel about the true-life disappearance of the World Cup trophy is released with the 2014 tournament just round the corner. Paul is a journalist and writer. Having worked in sports, news and trade journalism for 14 years, he’s the co-author of the seminal snooker book Masters of the Baize. Chasing The Game is his first crime novel, and you can buy it right here. Paul gives us the lowdown on an intriguing unsolved mystery – and, of course, his writing regime.
Chasing The Game is based on the true story of the disappearance of the World Cup trophy in 1966 – what happened?
It’s a fascinating story – one that has a dose of crime, shame, desperation and intrigue in roughly equal measures. The World Cup, or Jules Rimet Trophy as it was known, was on display in Westminster Central Hall in March 1966, three months before the World Cup tournament was due to begin. The stakes were high because the Football Association (FA) wanted the event to go very smoothly, it being the first – and so far only – time England have hosted the World Cup.
But one Sunday lunchtime the trophy was stolen from its display case. A few days later a ransom demand was made to the FA, and a note later delivered setting up a rendezvous where the trophy would be exchanged for the cash. But the plan fell apart, the switch never took place (despite coming tantalizingly close) and the thieves were never identified. The trophy, for reasons unknown, ended up under a bush in a London street where it was discovered by a dog named Pickles a week after the theft. Pickles briefly became a national hero, praised for sparing England’s blushes and saving the reputation of the World Cup tournament as a brand.
How closely is your novel based on true events?
Pretty closely in many ways, which is why I didn’t go into too much detail above! I always wanted this project to be a work of fiction, though, so certain elements – the nature of the theft in particular – were dramatised in order to drive the narrative. I kept certain characters such as the chairman of the FA (although I changed his name and created my own persona for him) while the gang of thieves was entirely down to my imagination. I’ve always felt the theft had an organised criminal element behind it, but not a large scale one, so it was fun creating a ‘firm’ who could carry out the raid but were under real pressure to collect the ransom because they desperately needed the cash.
Pickles is the only character that maintains his real-life name. In 1966 there was also a replica of the trophy made, commissioned by the FA but against FIFA’s wishes, and I exploit this conflict in the story. I’m a big fan of blending fact with fiction (David Peace and James Ellroy being the masters at this) and have always felt authors should be encouraged to use fiction as a vehicle to enhance intriguing factual narratives and sharpen the motivations of characters or historical figures.
What drew you to the story?
The curious nature of the theft, the bizarre discovery of the trophy, and the fact that the crime remains unsolved. Who were the gang of thieves? What went wrong between them to result in the trophy, worth a significant amount of money, ending up under a suburban hedge? I was surprised that no one had taken the Pickles story and done something exciting with it, so I thought I’d jump in there and weave my own narrative.
I also tied this in with a theme I’d been toying with basing a crime novel on for a while – leadership, and the pressures that come with fronting a criminal enterprise or firm. I’ve always been fascinated with the internal struggles and conflicts that crop up within a systemised criminal set-up, and seeing people try to take on the skillsets required to fill certain roles. So the tense and complex professional relationships that exist between members of the gang make up a central theme of the book.
Take us through a typical writing day for you?
I wish I had more of them! I write around a day job (I write copy for a marketing company) and am married with a three-year-old son, so my blocks of time for creative writing can be varied and unpredictable. On the occasions when I have a few hours to write, I begin by (and most writing guides advise against this) doing a light edit of what I’d written previously. I trained and worked in journalism for a few years and the editor in me just can’t resist, but I do enjoy ploughing on with a first draft knowing that the product behind me is a strong one.
Obviously the second draft stage is always an extensive one, but I don’t want a major re-structuring job at that point; I’d rather fix problems and enhance areas as I go along. I’m also a big fan of Stephen King’s theory of ‘write with the door closed, rewrite with the door open’ so I’m very much in my own head when unleashing a first draft, then liaising with friends and fellow writers for feedback on the second draft.
Chasing the Game is my first published novel but I wrote three crime thrillers before that; I’ve been writing seriously since about 2005 when I had a non-fiction book published and got the bug for writing full-length works.
Who are the authors you love, and why?
I adore Elmore Leonard’s dialogue, Adrian McKinty’s action sequences, Ken Bruen’s humour, the powerful prose of James Sallis, Jake Arnott’s deep characterisation, Patricia Highsmith’s ability to build drama, James Crumley’s sense of time and place and Graham Greene’s story structure. James Ellroy, David Peace and Don DeLillo do a glorious job of mixing fact with fiction while I also love Ian Fleming’s Bond books. As remarkable standout thrillers I really enjoyed Eddie Bunker’s No Beast So Fierce (which apparently inspired Tarantino to write Reservoir Dogs) and The Ice Harvest by Scott Phillips.
What’s the hardest lesson you ever had to learn about writing?
Probably the fact that it’s incredibly difficult – and increasingly rare – to make a full-time career out of it. At a recent writing event I had a chat with an established, award-winning author who’s terrifically talented but told me how many copies her last book had sold and how many other things she had to do in order to supplement her time to write, and I thought that was a shame. The less time an author has to write, the fewer chances we have to enjoy them.
On a technical point, I like writing a synopsis but find it bizarre, frustrating and amusing that every agent and publisher appears to have a different idea about what they want to see in one. It’s an area that takes subjectivity to a new level!
How do you deal with feedback?
I embrace it during the editing stages of my writing. An interesting point is what to do with all the feedback you collectively receive. I know some writers who literally change everything that is recommended from all sources, but the danger of this is that the focus of the manuscript can then fragment and before you know it you have several half-realised themes and sub-plots going on.
I don’t think an author should ever lose sight of the initial purpose they had at the onset of the project. I think it’s best to take all feedback on board, apply a great deal of it if necessary, but to always consider that this is your book and the reader has to be convinced that it has come from one soul.
As for feedback from the industry, rejections are a familiar tale and for me have always been tempered by the fact that you know thousands upon thousands of writers are going through the same thing. Many writers collect their rejection letters but I’ve never really gone in for that. Positive responses from the trade, meanwhile, are obviously fantastic; it’s great to spend time speaking with agents, publishers and authors, and when you’ve had your work praised by such people it comes as a relief as well as a joy.
Give me some advice about writing…
Tough one. Any advice given by writers is obviously going to be very personal to them, but I’d say the most valuable way to spend your time is to focus on both finding your own distinctive voice (there’s no better way to make an impression on your first page) while at the same time reading as much of other writers as you can. If you’re writing a full-length novel you need prose worming through your brain pretty much all the time. The passion to write can only be driven by the passion to read.
What’s next for you?
I’ve written a first draft of another crime novel, which I’d like to polish and edit in the near future. It has another sports link, and is about the physical and mental struggles of a recently retired boxer who gets dragged by his former manager into a murky world of crime and an underground bare-knuckle fighting circuit, while also struggling to deal with his Alzheimer’s-stricken father. It’s called When the Roar Fades.
Who’s going to win the World Cup this summer?
All World Cups previously held in South America have been won by a nation from that continent, and I can’t see that pattern changing. It’s hard to see past the hosts, Brazil, but Argentina could be handy. I think England might sneak through their tough group but I’d be surprised to see them go beyond the quarter-finals.[Top]
The solid gold Jules Rimet Trophy was stolen from Westminster Central Hall three months before the tournament and famously discovered by a dog named Pickles in a London street a week later, wrapped in newspaper. But the circumstances behind the crime, and its perpetrators, remain unsolved to this day.
Chasing the Game brings this intriguing tale to life, weaving a set of vivid characters into the tale to create a gripping – and shocking – version of a story that still draws much speculation today.
The book enjoys a timely release in the build-up to this summer’s World Cup in Brazil, a country where the Jules Rimet Trophy was actually stolen again in 1983, and this time never recovered.
The book is available as a paperback as well as an ebook in all major formats.
More updates about the book will be posted on this website and on my Twitter page, @PaulJGadsby
If you would like to order a review copy for your newspaper/magazine/website/blog, or discuss an interview with the author, please feel free to email pauljgadsby(at)yahoo(dot)co(dot)uk[Top]
Synopsis: Joe Coughlin is nineteen when he meets Emma Gould. A small-time thief in 1920s Boston, he is told to cuff her while his accomplices raid the casino she works for. But Joe falls in love with Emma – and his life changes for ever.
That meeting is the beginning of Joe’s journey to becoming one of the nation’s most feared and respected gangsters. It is a journey beset by violence, double-crossing, drama and pain. And it is a journey into the soul of prohibition-era America…
Review: Live By Night was an important book for Dennis Lehane. His tenth novel, written in 2012, it was both a follow-up (but not a direct sequel) to his 2008 epic The Given Day and penned around the time his TV writing career was really taking off. His work on HBO’s worldwide hit The Wire had earned him a call-up to the writing team of the highly-acclaimed Boardwalk Empire, another HBO success.
There were questions, from fans and critics alike, that Live By Night would therefore answer. Did Lehane still have the taste, and passion, for a powerful literary work? Did he still have the time to produce one? Would Live By Night (with its 1920s east coast gangster setting – the same backdrop as Boardwalk) be just a simple extension of the themes explored in that show?
Since making his commercial breakthrough in the early 1990s, hailed as part of a trio of new-age American crime writers with George Pelecanos and Michael Connelly, Lehane’s literary career has soared.
His first five books featured quirky detective duo Patrick Kenzie and Angela Gennaro in modern-day Boston, but his next effort, Mystic River, catapulted him into the major leagues, the novel being turned into a film starring Sean Penn and directed by Clint Eastwood. Psychological thriller Shutter Island followed (also adapted into a film, starring Leonardo DiCaprio and directed by Martin Scorsese).
The Given Day was his first foray into historical fiction, exploring the 1919 Boston Police Strike and its dramatic aftermath, and my initial impression of Live By Night was that Lehane had once again successfully employed his gloriously muscular, confident prose that dominated his other books.
We’re thrust into the 1920s; prohibition is rife, opening the floodgates for bootleggers, gangsters and corrupt police to line their pockets. Police captain’s son Joe Coughlin, just 19, has a taste for living on the criminal side of the moral line, and an even bigger taste for Emma Gould, the girlfriend of veteran gangster Albert White. Joe and Emma begin an affair that is as clandestine as it is passionate, and it’s here, in the book’s early stages, where Lehane’s engrossing style leaps from the page.
The dialogue between Joe and Emma is as witty and sharp to draw comparisons with the Coen brothers’ script for Miller’s Crossing, while Lehane expertly paints a vivid picture of the age but never once allows the pace of the story to slip into second place. History is merely a backdrop; Lehane’s extensive research doesn’t blunt the sweeping narrative, allowing the evocative characters and the crisp dialogue to bring the book to life.
We don’t have to wait long for something to go wrong. Joe’s outlaw instincts draw him and a small gang into a bank robbery. But their escape plan is botched, and Joe is forced to go on the run from the police. He goes back for Emma in the hope of seeing them elope together, but this is tough, merciless noir and Joe’s plans – and more literally his beaten body – end up in the gutter before he’s arrested.
Serving a lengthy prison sentence, we experience Joe’s intense struggle for survival in a desperate, cut-throat environment. With Lehane’s skill, this is a haunting passage within the book and we’re totally convinced by the authenticity of rival mobbed-up inmates and their internal war, and Joe’s dilemma of which side to pick in order to survive.
But despite the prose being laced with Lehane’s usual stark, atmospheric edge, this section of the book for me slightly disappoints. The problem with widespread narratives that cover a large part of the main protagonist’s life (we’re living Joe’s epic journey from a cheeky 19-year-old to one of the USA’s most dominant and influential gangsters) is that, in crime fiction, these often encompass prison time. Joe is sentenced to five years and serves more than two, but the necessity to move on to his career after prison results in this stage of his life feeling a tad rushed. The format, to avoid the book ending up with an absurd word count, drives the narrative here.
Even though we get plenty of value in the relatively short prison sequence and experience Joe’s troubles and anguish close up, it doesn’t feel like we’ve lived over two long hard years behind bars with him by the time he gets out. To Joe, the bleak brutality of those years would have felt like half a lifetime. The structure of the book’s scope works against the author here, but Lehane isn’t the first crime writer to find it tough to effectively convey a long prison sentence on their main character within a small portion of a novel, however he comes closer than most to cracking it.
A pure delight we do get from this spell in Joe’s life, however, is the growing significance of his strained relationship with his father, Thomas. The book is written in the third person and we’re treated to some scenes from Thomas’s perspective. Complex father-son bonds are a particular strength of Lehane’s and here we get some real pearls of great writing. ‘Joseph was the most open of his sons. You could see his heart through the heaviest winter coat.’
Having been forced to link up with a dominant crime boss to survive prison, Joe is sent by the mob to Florida on his release to run the rum-smuggling syndicate they have going. He flourishes in his seniority, making the mob – and himself – a huge amount of money. He meets a girl too, a member of the Cuban émigré community whose world he immerses himself in, and his personal life begins to give him the inner equilibrium he perhaps deserves but, once again, this is noir – and heartbreak is never far away.
Live By Night fully merits its tour-de-force marketing tag. It’s another success for Lehane, earning virtuous distinction from his mounting TV work, and for us readers it’s another chance to enjoy his graceful, sassy prose set within a deeply moving novel.
My rating: 9/10
Note: This review first appeared as a guest book review on Morgen Bailey’s Writing Blog[Top]