The highly distinguished website ‘Of Pitch & Page’ is in agreement with other literary critics by giving the book a glowing review, saying my 1966-set thriller depicting the real-life theft of the Jules Rimet Trophy in London is “full of period detail and moody violence.”
Reviewer Matt Oldfield added: “Gadsby takes the undisputed facts about the infamous robbery and has some good old-fashioned fun. With the exception of Pickles the dog, all names are changed (FA Chairman Joe Mears becomes Clement Spears), and many characters are constructed from scratch, namely the gang members and their families. Multiple narrative perspectives are handled well, the pacing and plotting are strong, and the dialogue rings true. . . the pages turn, and the reader is drawn into the murk.”
“Chasing the Game is a well-crafted and entertaining novel. Despite its timely release for the buzz around Brazil, its readership should extend beyond the World Cup dreamers. Because if you’re in the market for historical crime fiction with a lot of heart, Gadsby’s your man, whether you like football or not.”
Esteemed crime reviewer ‘Crime Thriller Fella’ also sung the book’s praises, saying: ‘Gadsby takes the [1966 World Cup] theft and uses it as a hook to explore the downfall of a complex and conflicted gangster, Dale Blake.”
“There’s a lot to like here, a hell of a lot. Gadsby knows the mechanics of drama, and he gives his protagonist problems before the first page, so that the tale he’s telling seems like a small part of a wider canvas. . . Dale’s a sympathetic character, a man out of his depth, and we genuinely feel for him in his Harold Shand moment.
“Gadsby is a writer by trade, but this is his debut novel, and he has a focused control over his material. He knows his story, and knows how to tell it. A lot of new authors – you can tell they’ve not rewritten and then edited enough. They’ve not gone through the manuscript again and again, removing every superfluous phrase, every redundant word. Gadsby has removed every bobble and clump from the page, so that the writing is as smooth as a lawn in Chelsea.
“The prose is lean and terse, and his dialogue is muscular, but never slips into gangster parody. . . It’s not a footie novel, so you really don’t have to give a fig about the beautiful game.”
One of Britain’s biggest crime fiction websites, Crime Fiction Lover, also loved the book, reviewer David Prestidge saying: “I thoroughly enjoyed this book. The prose is unpretentious, brisk, and will move the reader through the 200-odd pages with minimal effort. Gadsby has taken a real-life event that remains a mystery to this day, and provided a perfectly plausible, well-timed and entertaining fictional account.” That full review on Crime Fiction Lover can be found here.
Other excellent reviews have greeted Chasing the Game’s release, not least from the highly-revered Crime Time website as well as critically acclaimed author Guy Portman and blogger ‘Book Addict Shaun’.
So far on Amazon, the book has attracted ten reviews; nine of them 5 star and one 4 star.
To read more about Chasing the Game and the true crime that influenced its narrative, please click here.
I was interviewed by ‘Crime Thriller Fella’ this week about my new book Chasing the Game and my writing regime in general.
A transcript of the interview can also be found below.
Crime Thriller Fella writes screenplays and novels, and reviews crime movies, TV shows and books for his blog, as well as providing interviews and latest news.
Here is the interview transcript. . .
We love writers with synchronicity. Paul Gadsby’s novel about the true-life disappearance of the World Cup trophy is released with the 2014 tournament just round the corner. Paul is a journalist and writer. Having worked in sports, news and trade journalism for 14 years, he’s the co-author of the seminal snooker book Masters of the Baize. Chasing The Game is his first crime novel, and you can buy it right here. Paul gives us the lowdown on an intriguing unsolved mystery – and, of course, his writing regime.
Chasing The Game is based on the true story of the disappearance of the World Cup trophy in 1966 – what happened?
It’s a fascinating story – one that has a dose of crime, shame, desperation and intrigue in roughly equal measures. The World Cup, or Jules Rimet Trophy as it was known, was on display in Westminster Central Hall in March 1966, three months before the World Cup tournament was due to begin. The stakes were high because the Football Association (FA) wanted the event to go very smoothly, it being the first – and so far only – time England have hosted the World Cup.
But one Sunday lunchtime the trophy was stolen from its display case. A few days later a ransom demand was made to the FA, and a note later delivered setting up a rendezvous where the trophy would be exchanged for the cash. But the plan fell apart, the switch never took place (despite coming tantalizingly close) and the thieves were never identified. The trophy, for reasons unknown, ended up under a bush in a London street where it was discovered by a dog named Pickles a week after the theft. Pickles briefly became a national hero, praised for sparing England’s blushes and saving the reputation of the World Cup tournament as a brand.
How closely is your novel based on true events?
Pretty closely in many ways, which is why I didn’t go into too much detail above! I always wanted this project to be a work of fiction, though, so certain elements – the nature of the theft in particular – were dramatised in order to drive the narrative. I kept certain characters such as the chairman of the FA (although I changed his name and created my own persona for him) while the gang of thieves was entirely down to my imagination. I’ve always felt the theft had an organised criminal element behind it, but not a large scale one, so it was fun creating a ‘firm’ who could carry out the raid but were under real pressure to collect the ransom because they desperately needed the cash.
Pickles is the only character that maintains his real-life name. In 1966 there was also a replica of the trophy made, commissioned by the FA but against FIFA’s wishes, and I exploit this conflict in the story. I’m a big fan of blending fact with fiction (David Peace and James Ellroy being the masters at this) and have always felt authors should be encouraged to use fiction as a vehicle to enhance intriguing factual narratives and sharpen the motivations of characters or historical figures.
What drew you to the story?
The curious nature of the theft, the bizarre discovery of the trophy, and the fact that the crime remains unsolved. Who were the gang of thieves? What went wrong between them to result in the trophy, worth a significant amount of money, ending up under a suburban hedge? I was surprised that no one had taken the Pickles story and done something exciting with it, so I thought I’d jump in there and weave my own narrative.
I also tied this in with a theme I’d been toying with basing a crime novel on for a while – leadership, and the pressures that come with fronting a criminal enterprise or firm. I’ve always been fascinated with the internal struggles and conflicts that crop up within a systemised criminal set-up, and seeing people try to take on the skillsets required to fill certain roles. So the tense and complex professional relationships that exist between members of the gang make up a central theme of the book.
Take us through a typical writing day for you?
I wish I had more of them! I write around a day job (I write copy for a marketing company) and am married with a three-year-old son, so my blocks of time for creative writing can be varied and unpredictable. On the occasions when I have a few hours to write, I begin by (and most writing guides advise against this) doing a light edit of what I’d written previously. I trained and worked in journalism for a few years and the editor in me just can’t resist, but I do enjoy ploughing on with a first draft knowing that the product behind me is a strong one.
Obviously the second draft stage is always an extensive one, but I don’t want a major re-structuring job at that point; I’d rather fix problems and enhance areas as I go along. I’m also a big fan of Stephen King’s theory of ‘write with the door closed, rewrite with the door open’ so I’m very much in my own head when unleashing a first draft, then liaising with friends and fellow writers for feedback on the second draft.
Chasing the Game is my first published novel but I wrote three crime thrillers before that; I’ve been writing seriously since about 2005 when I had a non-fiction book published and got the bug for writing full-length works.
Who are the authors you love, and why?
I adore Elmore Leonard’s dialogue, Adrian McKinty’s action sequences, Ken Bruen’s humour, the powerful prose of James Sallis, Jake Arnott’s deep characterisation, Patricia Highsmith’s ability to build drama, James Crumley’s sense of time and place and Graham Greene’s story structure. James Ellroy, David Peace and Don DeLillo do a glorious job of mixing fact with fiction while I also love Ian Fleming’s Bond books. As remarkable standout thrillers I really enjoyed Eddie Bunker’s No Beast So Fierce (which apparently inspired Tarantino to write Reservoir Dogs) and The Ice Harvest by Scott Phillips.
What’s the hardest lesson you ever had to learn about writing?
Probably the fact that it’s incredibly difficult – and increasingly rare – to make a full-time career out of it. At a recent writing event I had a chat with an established, award-winning author who’s terrifically talented but told me how many copies her last book had sold and how many other things she had to do in order to supplement her time to write, and I thought that was a shame. The less time an author has to write, the fewer chances we have to enjoy them.
On a technical point, I like writing a synopsis but find it bizarre, frustrating and amusing that every agent and publisher appears to have a different idea about what they want to see in one. It’s an area that takes subjectivity to a new level!
How do you deal with feedback?
I embrace it during the editing stages of my writing. An interesting point is what to do with all the feedback you collectively receive. I know some writers who literally change everything that is recommended from all sources, but the danger of this is that the focus of the manuscript can then fragment and before you know it you have several half-realised themes and sub-plots going on.
I don’t think an author should ever lose sight of the initial purpose they had at the onset of the project. I think it’s best to take all feedback on board, apply a great deal of it if necessary, but to always consider that this is your book and the reader has to be convinced that it has come from one soul.
As for feedback from the industry, rejections are a familiar tale and for me have always been tempered by the fact that you know thousands upon thousands of writers are going through the same thing. Many writers collect their rejection letters but I’ve never really gone in for that. Positive responses from the trade, meanwhile, are obviously fantastic; it’s great to spend time speaking with agents, publishers and authors, and when you’ve had your work praised by such people it comes as a relief as well as a joy.
Give me some advice about writing…
Tough one. Any advice given by writers is obviously going to be very personal to them, but I’d say the most valuable way to spend your time is to focus on both finding your own distinctive voice (there’s no better way to make an impression on your first page) while at the same time reading as much of other writers as you can. If you’re writing a full-length novel you need prose worming through your brain pretty much all the time. The passion to write can only be driven by the passion to read.
What’s next for you?
I’ve written a first draft of another crime novel, which I’d like to polish and edit in the near future. It has another sports link, and is about the physical and mental struggles of a recently retired boxer who gets dragged by his former manager into a murky world of crime and an underground bare-knuckle fighting circuit, while also struggling to deal with his Alzheimer’s-stricken father. It’s called When the Roar Fades.
Who’s going to win the World Cup this summer?
All World Cups previously held in South America have been won by a nation from that continent, and I can’t see that pattern changing. It’s hard to see past the hosts, Brazil, but Argentina could be handy. I think England might sneak through their tough group but I’d be surprised to see them go beyond the quarter-finals.[Top]